
Portrait of a Young Girl

Rembrandt Self Portrait

Aristotle with a Bust of Homer 1653

Man in a Golden Helmet c. 1650

The Return of the Prodigal Son c. 1669

Christ In The Storm On The Sea Of Galilee

Philosopher in Meditation 1632

The Polish Rider 1655

Anatomy Lesson of Dr Tulp

The NightWatch

The Sense Of Sight (or The Spectacles-Seller)

St. Paul at his Writing Desk

Danae (detail-2) 1636-47

A Peasant Family on the Tramp

Christ crucified between the two Thieves An oval Plate

Daniel's Vision of the Four Beasts, from Four Illustrations to a Spanish Book

A Beggar seated warming his Hands at a Chafing Dish

Saskia In A Straw Hat

Self-portrait With Saskia

Old Man with a Gold Chain

David and Uriah (detail -2) 1665

Man Sharpening a Quill 1632

Portrait of a bearded man, bust-length, in a red doublet

The Angel Appearing To The Shepherds

A bald old Man with a short Beard, in Profile Right
![Aristotle with a Bust of Homer [detail: 1]](http://cdn.shopify.com/s/files/1/0586/5822/6346/products/FA-REMBR-278.jpg?v=1654880872&width=1)
Aristotle with a Bust of Homer [detail: 1]

Bust Of An Old Man With Flowing Beard And White Sleeve

Dead peacocks

Portrait of Nicolaes Ruts 1631

Clement de Jonghe Printseller

Hendrickje sleeping

The Nightwatch (detail-2) 1642

Abraham's Sacrifice

Circumcision 1669

Portrait of Saskia with a Flower 1641

Arnold Thorlinx

Bust Of An Old Bearded Man, Looking Down, Three Quarters Right

Portrait of Baartgen Martens Doomer 1640

Self-Portrait 1627

A Beggar in a high Cap, standing and leaning on a Stick

Samson Threatening His Father-in-Law

The Baptism Of The Eunuch

Self-Portrait with Lace Collar c. 1629

Self-Portrait (1) 1669

Self-Portrait In A Gorget

Self-Portrait 1668-69

Portrait Of A Woman

Lucrece,washington Ng 1664

An Old Man in Military Costume

Portrait of Nicolaas van Bambeeck 1641
An artist that died poor and misunderstood - Rembrandt
A remarkable yet rare name that was inscribed on his work grew very significant and, later on, a monogram for his works. Rembrandt was a man with the two Masters – Van Swanenburgh and Pieter Lastman. The former taught him the basic skills and knowledge necessary for his profession. It gave him pictorial exposure, mainly about the effects of light in painting. The latter starts him to gain knowledge and skill very much essential to master his journal, including historical painting involving various figures from the biblical, historical, mythological scenes in very complex settings in the 17th century. Hence, he held the highest position because he had complete control and command over all his subjects, from landscape to complex architecture, from still static life to drapery, from animals to human beings in various postures, expression, livelihood, attire, and costumes. After leaving Lastman, he created lively waxworks quality, evenly lit, colorful figures acting in clearly organized space. Looking for painting replicas of famous Artists . Buy new art and paintings online
Writing about Rembrandt transforms you into a detective
Rembrandt had a great sense of all materiality while analyzing old artistic artifacts, which present incredibly sophisticated techniques of usage of X-rays, infrared light to examine what lies below the surface to decipher them appropriately. The canvas, the palette, the brushwork all come together the sum of all the parts to create the mystery that is known as Rembrandt, which signifies that how deep and acting out his paintings were. So a painter will understand himself, these paintings better than any other person in the world. As we know, there are very different kinds of methodologies in art history; the very prominent one and historical research in arts is an interrogation of the work of art in which the material object itself behaves as a source of relevant historical information. Being a detective while writing about Rembrandt means defining all the details in the contest of the artists' surroundings very brilliantly, smartly, and carefully considering those images' environment, sense of time, and surroundings
Biographies are the reproductions of Rembrandts' artistic documentations
Biographies containing drawings and paintings give you a natural feeling of holding that artistic documentation in your hand. Self-portraits of Rembrandt were at high pitch in 1628 that customers loved buying them. One of which is perfectly defined is the stream of light barely touching his cheek and the rest of this paste in shadow, but you can still make out his peering eyes straight at you. This portrait exquisitely explains the mysterious character of Rembrandt himself and also creates a visual puzzle to figure out himself in the portrait. Basically, he took himself as a model because he's very patient and can sit for long hours. He knows what he exactly wants, and perhaps his end result becomes wonderfully mysterious and inspires many people. Scholars and scientists recently have done a lot of work in analyzing his anatomy from his self-portraits which include what was build, the size of his voice box, his weight, and then they recreated what his voice must have sounded like because all of his art was so eloquent.